As viewership and content continues to grow here, we wanted to take this moment to welcome Sarah James to the robotGEEK'S Cult Cinema team as one of our newest contributors. Today she brings us a great review on the Lucio Fulci cult classic Murder-Rock: Dancing Death! If this review doesn't convince you to watch it, we don't know what will!?
By Sarah James
Have you always really liked the movie Flashdance, but you’re bummed because there just isn’t enough (any) killing in it? Have you always really liked Lucio Fulci films, but there just isn’t enough dancing in them for your liking? Yes? Then Murder-Rock is for you.
Leotards; leg warmers; giallo films; Fulci; infectious 80’s dance music; dance routines that look like they’re a combination of Flashdance, Showgirls, and the creepy cheer from Bring It On; bait & switch…& switch & switch. Murder-Rock is has it all!
Fulci starts us off with an amazing soundtrack by Keith Emerson. We jump right into some dancing throughout the opening credits. The dancers appear to be a group of b-boys breakdancing in…perhaps an empty roller rink? It doesn’t really matter, because we never come back to those dancers or that location again.
Immediately thereafter, we are led into a New York dance academy where several young women with big hair are performing in leotards and leg warmers. This scene is everything is I wanted my life to be in the 80s (and to this day). The extended, almost uncomfortably long choreographed dance scene gives us the heart of our cast. Our dance students are giving it their all. There seems to be an usual amount of hip thrusting for such a prestigious dance academy. I love it. The routine ends with the director of the academy saying, “It needs perfecting.” No, Candice, it doesn’t.
Shortly thereafter we get into the killing. I don’t want to give too much away, but Fulci fans will notice that there is considerably less blood than is usual with most of his films. That’s not to say that the kills aren’t great! The killer is deliberate. We hear the sound of the victim’s heartbeat race then fade to nothing as each one dies, adding to the intensity. We learn quickly, though, that students getting picked off one by one is no reason to shut down or even add any extra security. “You’ve gotta grit your teeth and dance, even when your friend dies.”
The movie follows classic giallo formula in that it is as much a crime drama as a slasher. We follow police lieutenant Borges and Professor Davis as they “hunt” for the killer. They appear to be competent, but they also don’t seem to be trying too hard. Lt. Borges’ shining moment comes when pimp-slapping a suspect and shouting, “I can bust your arm and get away with it!”. Some things never change! This line is topped only by him uttering, just a few minutes later, “He’s not a psycho, he’s an asshole.”
Candice, our dance director, seems to be trying a little harder to find the killer. In a dream, Candice is pursued by a murderous, studly-looking model wielding a hatpin, which happens to be the killer’s weapon of choice. After spotting the same man on a billboard while driving around town, Candice tracks the man down, breaks into his apartment, and not long thereafter begins dating him. Obviously. I’ll let you guess which switch this is in the “bait & switch & switch & switch”.
Ultimately, the killer is revealed. Those who like to try to figure out the movie before it ends likely won’t be surprised. Those who love to get lost in the story and not try to play detective will be satisfied with the reveal.