7.10.2020

90's Thriller Throwback: Run (1991)


A Superb Action Thriller That Showcases Patrick Dempsey's Ability to Run, Quite Literally, For His Life

by robotGEEK

I have a very distinct memory of the marketing of this film. I remember the trailers showing a young and skinny Patrick Dempsey (after a series of popular 80's chick flicks) running for his life, car crashes, gun shots and a cool looking font for the simple title. I also remember it just sort of coming and going with little to no attention, which surprises me because as I finally sit down to watch it for the first time, it's quite an excellent little thriller.

A cocky young law student is transporting a Porsche to a client long distance when it breaks down in a city he's not familiar with. Through a series of events, he gets into a fight with a local mob boss's son, accidentally killing him. Now he's running for his life with a bounty on his head as both the mob and a corrupt police force are after him. 

Run is pretty much exactly what I want when I sit down for a thriller, and literally represents the best of what this genre has to offer. It hits the ground running, literally wasting no time in throwing you into the crazy ride that you're about to take. Written by veteran screenwriter Dennis Shryack (The Gauntlet, Pale Rider, Code of Silence, Turner & Hooch and a personal favorite of mine Fifty/Fifty), Run is a nonstop series of death-defying sequences full of car chases, shootouts, and so many near-death close calls that you start to chuckle a little bit because Patrick Dempsey's Charlie Farrow would have died in any one of those sequences. But that lack of realism doesn't make a damn bit of difference because it's an exceptionally fun ride from start to finish.



Dempsey's characters is so overly arrogant right off the bat that you just know some bad shit is going to put him in his place rather quickly, and boy does he get run through the paces. When he's not being shot at or chased by cars, he gets the shit physically beat out of him pretty regularly throughout the film and somehow manages to remain upbeat, snarky and rarely ever gets a scratch on him. And I have to give it to Dempsey, this is a physically demanding role and its shocking apparent he did a lot of the stunts himself, which honestly makes it more badass. This one sequence involving a police car in a 5 story parking garage in particular sticks out. But even with the little stuff, like being thrown against a wall clear across a room, stack of tables, chairs or on the hood of a car by men twice his size, and clearly seeing it's him and not a double, is impressive.

Despite it's clever and fast-paced script, a lot of what makes Run so good is director Geoff Burrow's impeccable direction and cinematographer Bruce Surtees' camerawork. For a guy who'd only directed a single film before this, 1988's Return to Snowy River, Burrowes displays a natural talent behind the camera. Seriously, after watching this you'd just assume he'd done this many, many times before because he's so goddamn good at it, but nope. Run carries a slick, straightforward approach that lets the stunts and action take center stage. But even then, you sense an aesthetic sheen that makes it all look so good. I mean, we're not talking Black Rain level of visuals, but for something that easily could have looked like a Made-for-TV movie, Run is brilliantly visual and looks and feels much larger than it actually is. And that's all thanks to director Geoff Burrowes and Cinematographer Bruce Surtees (Sudden Impact, Pale Rider, License to Drive, Beverly Hills Cop). Now that I think about it, I'm sure it's more Surtees who deserves the accolades here.

Run is a quick, exhilarating and fun hour and a half that will surprise you with how much they can squeeze out of a decent little budget. Run is currently streaming on Amazon Prime right now, but be warned, there are a handful of other films with the same title. Be sure to pick the one with that poster art, or the 1991 date attached to it.

The Toy Corner: Transformers Blaster Walmart G1 Re-Issue Coming in August

by robotGEEK

I feel bad because I always forget to give you all a heads up with some of these releases. The truth is, I get so caught up in trying to personally snag any one particular limited edition release for myself that I often forget to let others know any potential awesome news. I'll try to be better about that. For someone who continues to collect vintage and commemorative releases of vintage toys to this day, I'm almost always out of the loop. I don't know how some of y'all keep tabs on these things. I'm usually either told by a friend, or just happen to randomly come across them by accident, like with the Black Hole Walgreens Exclusives

Walmart's successful line of Generation 1 Transformers continues with this new entry, the retro cool Blaster. He wasn't a Transformer I had as a kid, but I always wanted one. I do remember having Soundwave, but even as an adult, I'll randomly look for a used vintage Blaster and either he's just too expensive, or he's missing his original gun, or his tape deck button and door are broken. But good news! This re-issue is an exact replica of the original, right down to the box art we all love so much and is currently available for pre-order on Walmart's website for $29.99. It is set to arrive August 6th.

Here are the details via Walmart's website:

Transformers Toys Vintage G1 Autobot Blaster Collectible Action Figure - Adults and Kids Ages 8 and Up, 4.5-inch
  • RE-CREATION OF THE ORIGINAL G1 DESIGN: This vintage G1 Autobot Blaster figure is inspired by the original 1985 G1 release
  • CLASSIC CONVERSION: Autobot Blaster features classic conversion from boombox (non-working) to robot modes in 4 steps
  • VINTAGE DECORATION AND STICKER DECALS: Autobot Blaster figure comes with a sheet of foil decals so fans can detail the toy.
  • RETRO PACKAGING: Inspired by the original G1 packaging, this pack features the original G1 Transformers logo, character art, and classic Autobots versus Decepticon battle scene
  • TECH SPECS: Complete tech specs for Autobot Blaster are included on the pack in the classic G1 style fans know and love. Compare figures’ strength, speed, firepower, and more
Experience the figures that started it all. This Transformers: Vintage G1 Autobot Blaster figure is designed like the original G1 version -- including figure styling, packaging, and art inspired by the 1985 G1 releases, plus classic tech specs and accessories. (Re)start a vintage Transformers collection with this Autobot Blaster figure.
Autobot Blaster loves to crank the volume on good, hard rock ‘n roll music. Can switch from robot to radio to receive and transmit radio frequencies. At the forefront of any situation. Carries electro-scrambler gun.
Autobot Blaster figure comes with Electro-Scrambler Gun accessory and converts from boombox (non-working) to robot mode in 4 steps.
Clip out and save the on-box tech specs to share, then see how this figure stacks up against other heroic Autobots and evil Decepticons (each sold separately).
Transformers and all related characters are trademarks of Hasbro.
  • Includes: figure, weapon accessory, label sheet, and instructions.
  • Figure scale: 4.5-inch
  • Ages 8 and up
  • WARNING: CHOKING HAZARD - Small parts. Not for children under 3 years.
© 2019 Hasbro. All rights reserved.

Pre-Order yours today directly from Walmart's website, or follow the link HERE.

6.25.2020

Watching HBO's Watchmen

This Landmark Take on The Superhero Genre Will Be a Benchmark For Things to Come

by robotGEEK

With all the streaming apps that we currently pay for, HBO is not one of them. So when they announced the release of Watchmen as a series, we knew we were just going to have to wait until it hit Blu Ray to finally dig into it. But then the pandemic happened, and a lot of these "pay for" streaming sites began offering free trials to entice us. Hell, it worked with Shudder. We tried their free trial and ended up signing up for a membership. And with Watchmen in particular, as of this writing, they are currently offering it for free on both Amazon Prime and Hulu if you already have subscriptions for either of them. So this past weekend we jumped on it and literally binged the entire 9-Episode season in just a few days, something we never do. On one hand we did it because we wanted to watch it all before they removed the free trial offer, but on the other hand because it was so fucking good that we couldn't stop.



I am a Watchmen fan. I was 10 when the comic was released, and it would be just a few years later when I myself would get deep into comic book collecting and ultimately when I discovered this dark tale. But of course, like most of us, it wasn't until we were adults that we truly appreciated what Alan Moore and Dave Gibbons were doing with this comic series. But anyway, we all know that story now. And while I was a general fan of Zack Snyder's 2009 film, I wasn't blown away by it. For a film with such a long runtime, it still felt surprisingly tedious and long, when it should have felt the other way around. I can't really put my finger on it, but ultimately, while it was a nice looking film, it didn't always work. Which brings us to HBO's series.

Upon completion of this series, my first impression is that it is hands-down one of the best written shows I've ever seen, right up there with Hannibal and Breaking Bad. Created for television and written by Lost creator/writer Damon Lindelof, Watchmen takes a different approach than a straight-up adaptation of the well-beloved comic. Instead, Lindelof uses it as a jumping off point, instead shifting the story to a sort of alternate reality, 30 years later. In this new take, we see only a fraction of the original characters and what they've become since, as well as new masked vigilantes and an entirely new version where racism is front and center. Considering this was made before the recent riots and injustices towards people of color coming to light front and center, it's a bit surreal to watch this now because it comes across so much more relevant and important.

One of the shows may strengths is in it's casting. Some of them are pretty spot-on, like Jeremy Irons as Adrian Veidt aka Ozymandias, while others like the incredible Regina King as the series lead and all around badass Angela Abar aka Sister Night just surprised the hell out of me in the best possible way. I mean, for all the times I've seen her in a supporting role in dramas, seeing her kicking ass and taking names was such a pleasant surprise. I'm not going to bore you with a complete rundown of every cast member, but some personal notable standouts for me were Jean Smart, Louis Gossett Jr. and Tim Blake Nelson respectively.

It's a rare thing when every single episode hits you like a ton of bricks. Each hour long journey was met with excitement, shock, surprise and total awe. The number of twists this thing took were brilliant and wild, but none more incredible than the now legendary episode 6 titled "This Extraordinary Being". I mean, goddamn was that a huge emotional punch to the gut and just brilliant. While there was not a single bad episode in the bunch, Episode 6 seems to be the all-around favorite for most people, and with good reason.



What Lindelof and his team of writers and directors have created will go down in history as one of the greatest, most brilliant series ever produced. While it's already become an instant hit, just wait. It will be a series that others will try to repeat, but will probably not come anywhere near trying to achieve its brilliance. It will be a benchmark for how other creators will try to approach popular comic book titles in the future when adapting them to TV. Because lets face it, TV was and is the only way to go with something as vast as the Watchmen mythology. The fact that they tried so hard to condense it into a nearly 3 hour film back in 2009 is still surprising to me. I mean, some of it works, and some of it doesn't. There were some creative and artistic choices (did we really need so much slo-mo???) that really hampered would could have been a great epic film, but that was 11 years ago and there's nothing we can do about that now. Back in the late 80's or early 90's (before the internet), I remember reading in a Comics Magazine that Terry Gilliam was attached to direct Watchmen, but ultimately backed out when he realized that there was really no way to do it justice unless he was able to make it into a Mini-Series or something. Making it into a single film was impossible. Thankfully Damon Lindelof and the folks over at HBO recognized the need for more time to flesh out these characters and story arcs, because it all worked splendidly. And while the series ended nicely all wrapped up in a pretty bow, there's definitely room for expansion. But I for one am glad Lindelof has gone on the record as saying that he has no intention of continuing with the series, and I am thankful for that. It's perfect just the way it is. Let's let it stay perfect.

6.24.2020

The Toy Corner: The Black Hole Walgreens Exclusive Action Figures

Diamond Select Kills It Once Again With Another Disney Piece of Cinema Glold

by robotGEEK

When we recently signed up for Disney+, one of the first things I did was introduce my wife to the glorious 70's gem The Black Hole. Being that the limited edition Blu Ray sells for a lot higher than I'm comfortable spending on the secondhand market right now, this is the next best option. Whats more, it's in HD, which is really the only way to see it.

Of course she went in skeptical, but of course she ended up loving because like I told her before we started, this is not a kids film. A dark, brooding and outstanding visual spectacle that kickstarted a very brief period in Walt Disney's history where they attempted to make darker, more mature films. This was a time when their animated films weren't making the money they used to, and it's hard to imagine today, but Walt Disney was struggling. What resulted were some classics that while were not technical hits upon their releases, are considered genuine cult classics today such as The Black Hole, Tron and Flight of the Navigator.

After this latest revisit, I decided to jump on eBay to see if there were any Black Hole collectibles I could find, and while there are a number of products that were released during the film's run in 1979, most of them highly sought after, what really shocked me was that apparently some new Black Hole figures were released fairly recently, and I had no idea. How did this slip through the cracks for me? I can't tell you, but here's the rundown. They are released through Diamond Select, and are Walgreens exclusives, meaning you won't find them in any other store other than Walgreens. Of course there's online, which would generally mean that they were purchased from Walgreens and are being resold. Whatever the case, they're out there and they're beautiful.

There are two figures, V.I.N.Cent and Maximilian. They come in a nice sturdy box with a big display window and run $19.99 each if you can find them in a store. I searched every Walgreens in my area and did not find a single one. Though they still had plenty of Tron figures. But ultimately I had to resort to eBay for the best deal and factoring in shipping, I pretty much paid what I would have paid had I found them in the store myself for a set. And they're worth every penny, because both the figure and the packaging is just beautiful.

Flippers have made this Diamond Select release a really hard one to find in person, so your best bet is to just probably go through them to get your hands on them, which is ironically sad, but worth the effort.

New Movie Spotlight: I See You (2019)


by robotGEEK

Now here's an under the radar gem if there ever was one. I See You is a film I came upon solely through word of mouth. And whats interesting is that while it was a film casually mentioned to me a few times by different people, it wasn't a film that was "strongly" recommended, which honestly shocks me because ultimately, it was one of the best, most well written thrillers we've seen in a long time.

I See You is such a paradox, and a fucking brilliant one at that. On the surface it looks like any number of low-budget Direct-to-Video (DTV) thrillers you see on any streaming platform. And I'm going to be honest, that poster art doesn't help. In fact, that poster art makes it look more like an episode of some by-the-numbers cop drama on TV. But let me tell you, you're in for a real treat, because not only is it not anything like that, but the ride you'll take will lead you in directions you never saw coming.

I'm a bit torn to really tell you any more than that for fear of giving too much away. We went in fairly cold, having not even bothered looking at a trailer. So do yourself a favor and DO NOT watch the trailer. What I will tell you is that the tone, and hell even it's genre, shifts several times, which kind of blew my mind. The casting across the board is really solid, with Helen Hunt really turning in a killer performance. The cinematography is really impressive, with director Adam Randall delivering some truly stunning visuals, especially for a film this small. And the script, by first-time writer Devon Graye will blow you away. For a guy who hasn't written a film before, you'd be hard pressed to find one this tight, taut and filled with ingenious plot twists. One interesting thing to note is that he's also an actor with a wide range of roles in both film and television, but who I will always remember as being the teenage version of Dexter Morgan on Dexter. If this film is any indication, Graye has a great career ahead of him as a screenwriter and I for one can't wait to see what he comes up with next.

I think one of the best thing this little gem has going for it are the constant surprises. With so many "Whaaaaaaat???" moments, I was never able to figure any of them out beforehand. I just remember both of us kept looking at each other quite often and blurting out "whaaaaat?", or "nooooo way, are you kidding me?!".

I See You is currently streaming on Amazon Prime right now. Do yourself a favor and check this out ASAP

6.18.2020

90's Action Attack!: White Tiger (1996)


Gary Daniels Kicks Ass In This Highly Impressive Gem

by robotGEEK

Released in 1996, this Gary Daniels actioner is quite frankly one of the best low-budget action films I've seen in a while. Now I know I've said it before, but again, when I watch a ridiculous amount of low-budget action films and most of them are not worth mentioning, it's so refreshing to come across a true little gem.

Daniels plays DEA agent Mike Ryan who's partner is killed during a drug raid. When it's made clear that the killer, an up and coming drug dealer named Chow (the always amazing Cary-Hiroyuki Tagawa) is responsible and has the force in his pocket, Ryan goes all out for revenge. 

Let's start with the obvious. This has really strong Showdown in Little Tokyo vibes, and honestly, that's a blessing because come on, who doesn't love SiLT?? And right off the bat, you're going to notice a much higher quality of action film here than you're used to with Gary Daniels. Not only does it sport an impressive cast of familiar faces, but I'll be damned if this isn't one of the best looking DTV action films I've ever seen. I mean, how often do you really get to say that? Believe me, it's rare. Director Richard Martin gives this film such a professional sheen, had it had some tighter editing and a better score, it very well could have been a theatrical release.



Legendary bad guy Carey-Hiroyuki Tagawa (Mortal Kombat, Showdown in Little Tokyo) is just having a blast here. Nowhere near as restrained or refined as some of the other villains he's portrayed, instead playing him a little funny, loose and over the top, yet highly entertaining. Some of his one-liners and quips are fucking hilarious. Gary Daniels is great, showing off both his acting chops, emotional range and his martial arts.



White Tiger hits all the right beats, throwing enough action, fights and visual eye candy our way to make us forget the plethora of lame and uninspired trite that we often find ourselves watching in our search for these underrated gems. If there was ever a DTV action flick deserving of the title "underrated gem", it's this one.

White Tiger is currently streaming on Amazon Prime and TubiTV for FREE. 

6.11.2020

Bad Movie Night: Menahem Golan's Armstrong (1998)

Menahem Golan Delivers a Shockingly Inept Bad Movie Night Masterpiece

by robotGEEK

Oh how the mighty have fallen. Or have they? I suppose there's a valid argument as to whether Menahem Golan was ever a good filmmaker to begin with. I mean, we all love the classics he produced under his Cannon Films banner in the 80's, but as a director, his 2 crowning achievements are indelibly The Delta Force and Over the Top. And it can also be argued that he's not entirely responsible for the successes of those films. I mean, you could also attribute the cinematographers and editors to how good those films turned out. And don't get me wrong, I love the guy! Hell, I have a Cannon logo tattooed on my forearm! That company and those films were such an integral part of my upbringing.

Written and directed by Cannon legend Menaham Golan under the Nu Image banner, Armstrong is a disaster of epic proportions that needs to be seen to be believed. How this film has never been mentioned to me before is a travesty, because it's quite literally one of the BEST Bad Movies I've seen in a very long while. I watch a lot of low-budget action movies, and to be honest, most of them are not worth mentioning. So when I come across a true hidden gem like this, well I personally feel it my duty to let the world in on this little secret.

Armstrong is insanely enjoyable because it's so laughably bad in literally every single aspect. It's completely absurd every single minute, and just when you think it can't surprise you or make you laugh out loud anymore, it takes it a step further.

This is a prime example of the "one-take" wonder, where no matter that the shot is good or usable or not, whatever that first take got is going into the final product. You'll see extras staring right at the camera, supposedly dead people flinching at the sound of a gun, hilarious dialogue, obviously glued on red stars half falling off to represent Russian tanks, punches being thrown, but the person on the receiving end not even reacting, and the list goes on and on. You'd never know based on this that Golan had ever directed a film prior to this because this is incredibly cheap, fast and amateurish. But holy hell is it a blast!!

It's hilarious for all the wrong reasons and shockingly inept. The acting, even by veterans such as Charles Napier and Richard Lynch is surprisingly awful. And let me tell you, there is this hella strange 20 minute long chase sequence involving a gorgeous half-naked woman that will blow your mind. This is pure gold I tell you and if you enjoy terrible, yet fun films, this one is right up your alley.

You can currently stream Armstrong on Amazon Prime and TubiTV right now. 

5.27.2020

90's Thriller Throwback: Strange Days (1995)

James Cameron and Kathryn Bigelow's 90's Techno-Thriller Gem Is Due For An Upgrade

by robotGEEK

As much as I love 80's and 90's sci-fi thrillers, I kind of forgot about this gem. And that probably has to do with the fact that as of this writing, it has yet to make the leap to Blu Ray here in the U.S., which is a shame because after finally getting the chance to revisit it, HD is really the only way to go.

In the year 1999, virtual experiences are the new drug. Using stimulators worn on top of your head, you can experience anything you can dream of, an experience so real it's addicting, naturally making them illegal. When a former cop (Ralph Fiennes) turned dealer of virtual experiences gets caught up in the middle of corruption and conspiracy within the LA police department, he must use his street smarts and the help of a loyal friend (Angela Bassett) to clear his name and save the life of his former flame.



Written and produced by James Cameron and directed by the great Kathryn Bigelow (Near Dark, Blue Steel, Point Break) during what I would consider her prime years of really great output, Strange Days is pure 90's techno/thriller bliss. It has so much greatness going for it, that I'm not even sure where to begin. Let's start with the look of the film. This is when Bigelow was really shining as a visual artist. While she's since become more of an Oscar-worthy filmmaker, I can't say that I've really connected with any of her work outside of the 80's and 90's. For me personally, it's both the subject matter she chooses and it's in how she shoots them now, where she's adopted the handheld freestyle approach. But here, she does a magnificent job giving the film a slick aesthetic that makes full use of the gorgeous widescreen cinematography.

James Cameron co-wrote this with Jay Cocks (Gangs of New York), and I must say, they did a really great job in keeping you fully invested in a film that runs two and a half hours long. The film kickstarts with one of these virtual experiences and you're immediately thrown into this futuristic world via 1999. While a little jarring at first, it's an efficient way to get thrown into this new world full of new technology, but also overflowing with crime and poverty. Through a series of seemingly unconnected events, the film then sets up the crux of the story that's to follow, and you're thrown into a world of corruption, backstabbing, double crosses, addiction, technology and murder. What I loved most about this was that you never really knew where it was heading. It sort of plays it safe in the beginning, coming across as a bit tamer than you expect, only to be punched in the gut as the film progresses. Every time I thought I knew where it was heading, I was wrong. And every time I thought the film was nearing it's end, I was wrong. By the time it was over, I was exhausted, but in the best possible way. There are some really great performances, mainly from Angela Bassett as a total badass, and Fiennes is remarkable in the kind a role that you never would have expected from him, yet he pulls it off flawlessly. The supporting cast is also impressive, with a who's who of really great actors that you're sure to get a kick out of.



As mentioned earlier, this has never gotten an HD update yet, which is both strange and yet not entirely surprising considering Cameron's inability to make time to even get 2 of his most beloved classics released on Blu Ray. Last I read was that the new transfers and restorations for both The Abyss and True Lies had been complete, but he was quoted as saying he simply did not have the time to dedicate to checking out these new prints for release. It's been years now of constant teasing, but still nothing concrete yet. And the same goes for Strange Days. Still no HD release in any form as far as I can tell. I couldn't even rent it on Amazon. Luckily there is a Region B Blu Ray release from the UK that you can get for under $20 (that includes shipping). If you have a region free player, then you're all set. I should warn you that it was a little tricky getting it to play for some reason, even with my region free player. Not sure if it has to do with the Blu Ray itself or my LG brand player, but it took me several times with no luck. I finally had to play a different Region B Blu Ray for a little while, then switched it out to Strange Days and it finally got to play. But that's never happened to me before with this particular player. Just a heads up in case you encounter the same issue.

5.07.2020

90's Action Attack!: Jackie Chan's Who Am I? (1998)

by robotGEEK

Jackie Chan is Kicking Ass and Taking Names in This True Underrated Gem

I tell you, this Pandemic has really brought a lot of my insecurities to the surface. I see my view count drop significantly on here, and in moments of weakness, I wonder if I should even bother continuing on here or not. I guess we all go through moments like that, but for me it seems to feel like this more and more and I honestly just want to give up on this. And who knows? Maybe I will. But for now, I'll keep trucking on in the hopes that someone out there is still actually reading these and maybe even turn you onto a hidden gem. 

Though I've always been a big fan of Jackie Chan for nearly my entire life, this is a film I wasn't really even aware of until recently. And I think I only came across it when digging through his IMDB page recently too, not because someone actually suggested it. It's funny how films can slip through the cracks for some people. So it was literally a blind buy. The concept sounded interesting, and it's a film that he directed himself, something he rarely does anymore. But I sadly discovered that here in the U.S., there wasn't a widescreen release of this for some reason. Australia's Umbrella Academy did release this on DVD and Blu-Ray in widescreen fairly recently, so I'm very happy that I have a region-free player.



Who Am I? is fucking awesome, plain and simple. I always go in a little apprehensive to his films because believe it or not, I've never really been a big fan of his action/comedies. I prefer his straight-up serious action films like Police Story, Crime Story and The Protector. And the fact that I hadn't heard of this one yet also concerned me. But I'm here to tell you that I was treated to a pleasant surprise. This is quite the hidden gem people, and I hope with the release of this on Blu Ray via Umbrella Academy, that more people will soon discover it. While there are a few funny bits, I would not call it an action/comedy, because there were so few moments that they attempted that. But thankfully, those moments were actually legitimately funny. But it's pretty much a straightforward serious approach for the most part. There's no fighting for the first 45 minutes (which didn't bother me at all because your really sucked into his story of survival), but let me tell you, when the action hits, it hits hard, brutal and fantastic. It's classic Jackie Chan all the way and it blows my mind this isn't considered one of his best films, because in my humble opinion, it is.

In some respects, it reminded me a lot of Rumble in the Bronx, in that it's a co-production (this time with South Africa I believe?), and so there's some really bad acting and dubbing mixed with some solid acting and moments where there is no dubbing at all. But we're not here for the acting, we're here for the action, and in that respect, Who Am I? is brutal and it quickly became one of my favorite Jackie Chan films.



What I found interesting is that this was made the same year he also made the first Rush Hour. To think that the same year he wowed American audiences with a new hit action/comedy franchise, while also making his own film outside of the U.S. is surprising to me. When did he sleep? I don't know, but I'm glad he didn't because this movie fucking rules. I was also surprised to learn that after this, Chan didn't direct another film (outside of a few documentaries) for another 12 years. Interesting.

I hope this convinces some of you to seek this one out. If you're looking for an old-school martial arts action film, you can't go wrong with this one. A true hidden gem among Chan's work, Who Am I? delivers the goods tenfold. Now that I look back on it, it's really the last film Chan starred in and directed himself that really represented the type of film he became so famous for back in the 80's and especially into the 90's, before special effects.

Speaking of Umbrella Academy, I will say that most of their Blu Ray's actually are Region-Free, even if they do have a region code on the back of the packaging. But I've learned that "some" Sony Blu Ray players won't play them, but other brands will. I learned this firsthand because my previous Blu Ray player was a Sony, yet it wouldn't play certain Region-Free discs. I've since upgraded to an LG Region-Free player so I'll never have that issue again and I love it.