Showing posts with label Robert Davi. Show all posts
Showing posts with label Robert Davi. Show all posts

4.04.2012

Maniac Cop 2 German Big Box VHS Clamshell


























Thanks to my buddy Ingo over at Hellford667 Movie Reviews for once again hooking me up with one of these German beauties.

Yes, I know I'm a little obsessed with this overlooked gem right now, but that's only because I was lucky enough to stumble upon the awesome Widescreen Laserdisc recently, which just simply ruled! 

On a side note, I'm finally coming out of my little hiatus and coming back to robotGEEK'S Cult Cinema. I had a lot of things going on in my personal life with some really big unwanted changes that took up every second of my life. But things have settled down and I'm back! So to all my readers I thank you for your patience and to every single one of you badass reviewers who I currently have on my "blog roll" and "badass sites" sections, I apologize for not having had any time for the better part of a month to read or comment on any of your posts and reviews. I have a lot of make-up reading to do! 

3.06.2012

Badass Buy - Maniac Cop 2 Widescreen Edition Laserdisc

































You read that title right. Maniac Cop 2. In Widescreen. On Laserdisc.

I never knew this insanely awesome piece of Badass Cinema was ever available in Widescreen as the VHS release as well as the rare and out of print bare bones DVD are both in a bastardly Full Frame aspect ratio. So imagine my excitement when I stumbled upon this beauty only to find that it's in Widescreen! And I'm talking true Widescreen and not some Letterbox format. 

I just saw this a few nights ago and the transfer looks impressive, even for Laserdisc standards. Throw in the fact that it's in it's proper aspect ratio and the only way you can see it like this and I am one very happy man. Review coming up shortly. 

11.09.2011

Review: Raw Deal

Raw Deal original HBO/CANNON VIDEO VHS

1986
Directed by: John Irvin
Category: Badass Cinema

This was one of Schwarzenegger's early films that I never really gave too much credit. My main beef is that I just can't help but feel how Schwarzenegger was just horribly miscast here. Especially when you consider the film he made the year before this was Commando, and the film after this was Predator. It just doesn't make any sense. It feels so wrong for him and the kind of films he was trying to do. You have to also consider at this time he was going head to head with Stallone and both of them were the two biggest action stars of the decade and to have this oddly out of place film smack in the middle of his one-two punch of Commando and Predator, well it just feels oddly out of place in his filmography.

Don't get me wrong, it's not a bad film by any means. It just doesn't feel like an Arnold picture. This seems like it would have been more suited for someone like Burt Reynolds. Now that I think about it, he would have been perfect for this role because at the time this film was made, he wasn't exactly knocking them out of the park anymore and probably could've used modest hit. In either case, Arnold does the best he can with the role and even though he looks and sounds completely out of place in this Italian mob world. The main thing the big guy has going for him is an amazing aura of confidence. He might be miscast in this film, but he's gonna give it his all anyway and the film's all the more entertaining for it.

Mark Kaminsky (Schwarzenegger) is a small town backwoods country sheriff after being kicked out of the FBI for improper treatment of a suspect. When his old friend and FBI chief Harry Shannon (Darren McGavin) asks for his help after his son is killed by the Italian Mob in a botched raid, he promises Mark re-enlistment into the bureau if he can infiltrate the Italian mob and take down everyone that had anything to do with his son's death. For Harry, it's all about revenge. For Mark, it's a chance to get his old job back and a chance for him and his wife to get out of the sticks where they clearly don't belong. 

More than anything, this is a crime drama/action film that only offers any real action here and there. We're introduced to a bloody shootout and a car chase right from the get go, but it's a while before any other type of action comes into play and when it does, it's a few fist fights here and there and a pretty cool car chase later on. It's not until the last 20 minutes or so where we're given two big action sequences but even then, they pale in comparison to any of his other films from this era. Also, during one of these big action sequences towards the end of the film, Mark aka Joseph P. Brenner takes down a bunch of guys at a gravel pit while he's simultaneously driving his car and shooting at guys a hundred yards away, but not before he pops in The Rolling Stones "Satisfaction" into his tape player. I don't know, that seemed like such a weird song choice for a big action scene and for me, just didn't work.

The system gave him a Raw Deal. Nobody gives him a Raw Deal.

One of things I'll always remember about this film is that I saw this at my local drive-in theater back in '86. I remember that they showed a trailer for Stallone's Cobra before this film and I remember thinking that I couldn't wait for that film to come out. Just one of those random thoughts that pop into my head whenever I think of this film.

Thankfully, Arnold is given a really solid supporting cast to flesh out the Italian mob world. The always reliable Robert Davi has a pretty big role as mafia heavy who he's forced to work with under head mob boss Luigi Patrovita's orders, and they do not get along. Darren McGavin (A Christmas Story) is great as Mark's FBI mentor, friend and cohort Harry Shannon and Kathryn Harrold does a good enough job as the seductress who you can never figure out which side she's on.

It's not a bad film, but in a time when Schwarzenegger was making a name for himself and dominating the action genre with films like The Terminator, Commando and Predator, Raw Deal is probably (next to Red Sonja), one of his most forgettable and most underrated films of the 80's. If IMDB is to be believed, then Arnold only agreed to star in this film as more of a compromise to fulfill his contract with Dino De Laurentiis, whom he still had one film left under there agreement. That makes sense since this doesn't seem like the kind of film that he would have actively sought out to star in at this period in his career. If you can get past the presence of a huge Austrian with a thick accent who's twice the size of everybody else playing a back woods country sheriff and then goes undercover as an Italian heavy by wearing nice clothes and slicking his hair back knowing full well that it would be a hell of a lot more plausible and believable with "anybody" else in that role, then you'll have a good time with it because underneath all that, it's a really well made crime film with a decent amount of action and a few moments of brilliance.